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Youtube melody assistant for drums11/20/2023 ![]() ![]() Music that invites you to feel magic or wondrousness-I believe this is what young people want and need.”Īlthough beloved of DJs and fellow songwriters, Glenn is perhaps most revered today among queer and trans youth, who consider him an elder. “It’s not simply happy but expansive and enveloping. “His music has a rare positivity,” she says. (The list also includes Romy Madley Croft, co–lead singer of the indie band the xx, and Justin Vernon, the hip hop producer and songwriter who records as Bon Iver.) Hotler attributes Glenn’s popularity to the way his songs convey hope. Keyboard Fantasies has “an intimate sound,” Masuko says, “that made me feel Glenn’s body temperature.” Julia Hotler, a Los Angeles composer, is part of a cohort of leading musicians who are now avowed Glenn-Copeland fans. ![]() Despite being made with dance-club technologies-an Atari computer, a synthesizer, and a drum machine-the record feels liturgical, with repetitive motifs that mimic the rhythms of prayer. Listeners are drawn to the album for its hearth-like warmth. Since the rerelease of Keyboard Fantasies in 2017, its tracks have been streamed over a million times. In a moment of financial uncertainty, a lifeline had materialized. Together, Glenn and Hocura planned to reissue Keyboard Fantasies on vinyl and eventually on online platforms. In 2017, he received another unexpected email, this time from Brandon Hocura, co-founder of the Séance Centre, a label in Picton, Ontario. Soon, Glenn was sending tapes to the US and the Netherlands too. Masuko sold the cassettes in his store and uploaded clips to his website, an international hub for audiophiles. He sent Masuko a box of thirty tapes and, a week later, a box of thirty more. What I Learned as a Teenage Hip Hop Critic for Pitchfork.How Canada’s Bob Dylan Ended up a Taxi Driver.“I don’t know how anybody could’ve found out about it,” Glenn says. At the time, he had self-released Keyboard Fantasies with a run of 200 cassettes, of which he’d sold roughly eighty. Masuko wanted to buy copies of Keyboard Fantasies, an album Glenn had made in 1986 while living in Sprucedale, a village near the Muskoka region of Ontario. Then, in 2016, Glenn-Copeland-who today goes by the name Glenn-got an email from a man he didn’t know: Ryota Masuko, a record-store owner in Niigata, Japan, who specializes in undiscovered music. “We had no idea what we were going to do,” Elizabeth recalls. ![]() But in 2015, the region suffered an economic downturn and the school closed. In the early 2010s, he and Elizabeth, his wife and creative partner, had a theatre school in Miramichi, New Brunswick, where community members created musicals together, some based on folktales or Celtic lore. Throughout his life, he’d been a classical vocalist, a touring musician, a recording artist, and a children’s songwriter, but he’d lived in relative obscurity-and sometimes in poverty too. W hen his big career break finally came, Beverly Glenn-Copeland was seventy-three years old and living in a state of financial uncertainty. ![]()
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